A Casa Invisivel
Site-Specific Performance (Bairro Horizonte, Lisbon)
I enter a house that begins in the street, in the stairs that I go down, in the gallery that leads me to the railing.
I see,
a street that can be a living room,
where I played and we lived together.
A courtyard that can be a kitchen,
where I worked and we celebrated.
An interior that can be a room,
where I cried and you came in.
I pass by the living room table, I look towards the kitchen door,
I go up to the bedroom, I go near the window that looks out onto the courtyard
and I see another invisible house.
Idea and Direction: Janice Iandritsky and Ricardo Santos
Performance: Janice Iandritsky
Audiovisual: Luisa Mello
*Project in collaboration with the inhabitants of Bairro Horizonte (Lisbon) and the “AMBH” - Associação de Moradores do Bairro Horizonte.
Support: Culturgest and Goethe Institut
Passa Cá em Casa - Festival Uma Revolução Assim: Luta e Ficção (Lisboa, 2024)
La Ciudad Invisible
Compañía de Danza Contemporánea de la UNA (AR)
A city founded by memory.
A city murmured by footsteps, hardened by absences and tendered by gazes.
Full of hypnotic cement canticles, of brutal landscapes full of stories.
Director: Janice Iandritsky
Original music: Rafael Villazon
Lighting design: Lucas Lavalle
Choreographic assistance: Favio Dos Santos
Conceptual collaboration: Ricardo Santos
Direction of the UNA Company: Roxana Grinstein
General assistance: Solange Colmegna Friederich
Production assistance: Natalia Ponso and Cecilia Perez
Assistant assistants: Luciana Pennella and Marina Campestrini
Dancers
Giuliana Stivanello, Sofia Belingheri, Ezequiel Giampietro, Perdita Lobato Fernandez, Paloma Garcia, Valentina Piombo, Nor Sakin Barrientos Carcamo, Miranda Basso, Lucila Carrasco, Debon Vidal Brevis, Victoria Farina, Francisca Barria Ampuero, Malena Garrido, Milagros Pellicani, Lucio Nicolas Poclava, Ezequiel Carrizo, Zaira Antonio
El Centro Cultural San Martin (Buenos Aires, AR)
Existe uma realidade objetiva onde o meu corpo e a minha mente são um só mas eu não estou aqui nem nunca estive
Duo
The eternal disconnection between body and mind/spirit is incessantly searching for a place where things supposedly make sense is the research territory that this project inhabits. We are crossed by distances and borders in a disordered and increasingly fragmented world. It is possible to feel-complete in this destroyed landscape of the world, what are we? How to articulate the fluxes of the body and of the thought? How to date your eyes if you have fervem thoughts with two fingers?
Creation and direction: Janice Iandritsky y Bárbara Faustino Oliveira
Video: Fil Pedroso
Video editing: Janice Iandritsky
Festival das Marias - Festival Internacional de Artes do Femenino (Portugal), 2024
Residence Offices of the Convent (Montemor-o-Novo, Portugal), 2022
Residency at Casa da Dança (Almada, Portugal), 2022
Fondo
Solo
Popular memory is a territory to inhabit, to go deep. Landing the feet on the ground we walk on. Put them on the ground. Pass through land Change land. How to dance memory? How to bring it to the present?
Creation and direction: Janice Iandritsky
Interpretation: Janice Iandritsky / Barbara Faustino Oliveira
Original Music: Martin Sued
Final music: "Tormento" (Charlo/Amadori) Charlo & Francisco Canaro and his Typical Orchestra (1934)/ "Che Papusa Oí" (Matos/Rodriguez) Victor Typical Orchestra (1927)
Audio editing: Janice Iandritsky
Festival Rascunho (Evora, Portugal), 2022
Festival A-Salto (Elvas, Portugal), 2021
Santa Apolónia Cruise Terminal Esplanade (Lisbon, Portugal), 2021
lava.po.nada
Duo
We build the body from listening to our desires. The being begins when the body begins, understood as the founder of the abyss that separates one man from another man.
We are crossed by distances and borders. We are migrants. Foreign. Immigrants. One woman is one body, the other woman is another body. We risk diluting the limits and reinventing the borders to listen to the desires: of our time, of our spaces, of our own bodies. Today we cannot avoid the fundamental question that we intend to reflect on in movement: what to do with this body that we are?
Quem és? Perguntei ao desejo.
Respondeu: lava. Depois pó. Depois nada.
(Hilda Hilst - 1930 - 2004)
Creation and performance: Bárbara Faustino Oliveira and Janice Iandritsky
Soundscape: “Kappa”. Album: Sandstorm. Edges: Ikue Mori/Kaze. Circum-Libra Records – 205, Japan, 2020.
Photography: Fil Pedroso
Teatro Ribeiragrandense (Sao Miguel, Azores), 2023
Festival ACTO (Elvas, Portugal) - 2021
Gaivotas Boavista Cultural Pole (Lisbon, Portugal) - 2020, 2021
Artistic Residency "Companhia da Olga Roriz" (Lisbon, Portugal) - 2020
MIGRA
Dance and bandoneon duo
The bandoneon and the human body are two moving elements that house and
they carry sound. Music and dance are two bodies in constant change and fluctuation. "Migrate" is synonymous with an endless movement that transcends eras and nationalities. What are the origins, the cracks, what seeps, the music and the movement of all the inexhaustible movements that are as old as the beginning of time.
Creation and performance:
Janice Iandritsky (Dance)
Martin Sued (Sound creation and bandoneonist)
House Concerts (Brussels; Buenos Aires; Vila do Bispo, Portugal), 2020/ 2018
« La Vache Bleue », « FAUNArts », « The Fate Clan » (Paris, France), 2019
brutal tango festival, Immigration Museum (Heerlen, The Netherlands), 2019 /2018
Teatro Arena (Porto Alegre, Brazil), 2018
HEN
Solo
"Hen" raises the search for movement from a place of deep intimacy and solitude, prioritizing privacy in her dance. A body that is formed within anonymity, that is both unstable and unstable, that seeks to fall within itself in order to later organize itself, and fall again.
Hen is intimacy in one's own body.
is what is shown
And above all, what he chooses not to be shown.
Hen is a reflection on shared loneliness.
Director and performer: Janice Iandritsky
Assistant director: Agustina Annan
Sound design: Tatiana Heuman
Lighting design: Lucas Lavalle
COCOA Datei Festival - Recoleta Cultural Center, Buenos Aires, 2016
Cycle "La Duncan" Urban Space Cultural Center, Buenos Aires, 2016
Cycle of Solos - Club Café Muller, Buenos Aires, 2016
Mira! Festival, El Sábato Cultural Center, Buenos Aires, 2016
Auditorium of the National Library, Buenos Aires, 2016
Cycle "Alza la Mano", Theater "La Herrería", San Miguel, 2016
Cycle "Vertigo", Dinamo Cultural Center, Buenos Aires, 2015
Cycle "La Mirilla", Temenos Theater, Buenos Aires, 2015
//3//
Dance and percussion duo
// 3 // is a work that brings together two elements as primitive as the dance and the drum. Through specific slogans and free improvisation, a dialogue is established between both elements. The scene is made up of a circular space that surrounds both performers: both the musician from the drums and the dancer. This spatial arrangement proposes to understand both music, dance, lights and space as completely non-hierarchical elements.
Idea, sound design and percussion: Omar Menéndez
Dance: Janice Iandritsky
Lighting: Mariano Arrigoni
Theater "The Oceanarium", Buenos Aires, 2018
Theater "La Herreria", San Miguel, Buenos Aires, 2017
Extravagario circuit, Casa León, Buenos Aires, 2017
Theater "La Lunares", Buenos Aires, 2016
SOLSTICIO DE PRIMAVERA
Quintet
"Now until daybreak, / let the fairies dwell here, / and of the three brides /
it will always be adventurous; / each loving couple / He will always be faithful to his love.
Nor will it show any blemish / his lush offspring, / of all those who bother
nature gives. / With the drops of dew / let's consecrate this house, / where their owners scarce / happiness will never be. / Sing and dance now"
(Sheakspeare W. A Midsummer Night's Dream, 1595)
Creation and performance:
April Lis Varela
Augustine Annan
Emmanuel Palavecino
Janice Iandritsky
Mauro Podesta
Biennial of literature, La Rural, Buenos Aires, 2016